Volume 19
Social Practices, Rituals and Festive Events, Traditional Craftsmanship
Negotiating the intangible heritage of Awka traditional paraphernalia in modern society
Negotiating the intangible heritage of Awka traditional paraphernalia in modern society
‘We paint stories we heard from our ancestors’: Intangible heritage of the Pardhan Gonds of Central India
The Peña Bernal, one of the defining natural features of the Otomi-Chichimeca region.
One of the family chapels of Tolimán: 18th century wall paintings and contemporary stewards.
Large pieces of quartz are baked in the kiln, then broken into tiny pieces and sieved to obtain fragments of three different sizes.
Large pots take a long time to decorate, so they are wrapped in plastic to ensure that the clay will not dry out too quickly.
Nisa’s inlaid ceramics were traditionally used for water, but nowadays they are produced mainly for decorative purposes.
Drawing the decorative motifs in the wet clay with a needle and other instruments is the responsibility of the more experienced pedradeiras’
Mrs. Vera Hubicki, the gingerbread maker from Marija Bistrica, Croatia.
Mr. Vilko Kukec, a trough maker from the village of Selnica Gornja, Croatia
Exhibition opening at the new Centre for Traditional Crafts in Ptuj, Slovenia.